Essay #4: Coming Back for Seconds, an Intro to Mukbang
Coming Back for Seconds:
An Intro to Mukbang Videos
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Adjacent to ASMR are mukbang videos. This media originated in Korea. It’s a “livestream where a host eats while interacting with viewers” (Choe). Viewers interact with the mukbang creator through the chat; the creator can “talk back” through the camera. On YouTube, Instagram, and TikTok, the form has shifted – creators upload pre-recorded videos, thus eliminating the “live” interaction aspect.
Drawing on the language I used when writing about ASMR, mukbang actors cultivate an immersive performance for their viewers by holding props (food) up to the camera, eating loudly, and describing the flavors. Some actors do “storytimes”, telling autobiographical anecdotes as they eat. Others are silent. Some actors offer the “first bite” to their viewer as a kind of digital offering.
While many actors opt for fast-food out of convenience (Wingstop, Taco Bell, Cane’s, Crumbl), some actors make their own meals, including seafood boils, ramen noodles, enoki mushrooms, and birria tacos.
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The slurping,
crunching and gulping in a mukbang video brings it close to ASMR territory:
still, it feels distinct from ASMR because of “storytimes” and actors’
tendencies to speak in full-bodied voices rather than in whispers (a hallmark
of ASMR content). Mukbang videos feel messier, even though both genres center
around pleasure– where mukbang is concerned with physical hunger and satiation,
ASMR focuses on visual-sonic aesthetic pleasure. Still, the end goal is entertainment
and satisfaction.
My own experience with mukbang is limited. I’m not a fan, but I’m not a hater. Mukbangs pop up on my feed, and I do stop to watch them – but I never seek them out. Users like @jellybeansweets on Instagram often lure me in because of the comments section (sometimes, I’m more interested in media commentary than the media itself). In times of high stress, like mid- or end-of-semester checkpoints, I find myself watching reels of beautiful women eating fried chicken – jarring, considering I’m pescetarian and haven’t eaten fried chicken in ten-ish years.
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But even if I’m not
a voracious consumer of the content, there are countless loyal mukbang watchers
who are. Like ASMR, it’s wildly popular. On YouTube, mukbang actors like
@ZachChoi (32.5 million subscribers) are consistently met with high likes and
views. What about this content form keeps people coming back for seconds? And why
does the Internet like to watch people eat?
In my next suite of
essays, I’ll draw on the works of Douglas, Choe, and Wang to further explore mukbang.
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For Claire: Word count is 400.
Citations and Scholarly Stuff:



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